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Debussy: Complete Works For Piano, Vol. 4
mpn: CHAN10497, ean: 0095115149720,
4.2 out of 5 stars with 143 reviews
12 Études pour piano Livres 1 & 2 - Images pour piano Livres 1 & 2 - Étude retrouvée / Jean-Efflam Bavouzet, piano..
Brian Ferneyhough: La Chúte d'Icare; Superscriptio; Intermedio alla Ciaccona' etc. (Etudes Trancendantales; Mnemosyne)
4.4 out of 5 stars with 132 reviews
Ferneyhough, an English composer, is the father figure of a movement in contemporary classical music called the New Complexity, and his music is a fascinating synthesis of the highest delicacy in instrumental writing with visceral fervor. The works on this disc are all excerpts from an immense cycle entitled Carceri d'Invenzione (Dungeons of Invention). The strongly drawn architectural features of the music, inspired by the series of etchings by Piranesi, are impressive; but it is the fragile,
Schumann: Etudes Symphoniques; Toccata; Fantasie in C
4.0 out of 5 stars with 115 reviews
If one were to list some of the supreme masterpieces of piano literature, Schumann's Fantasia in C Major, Opus 17 would be in that Pantheon. Every marvelous page contains the full measure of Schumann's passion. His Etudes Symphoniques, Opus 13 (here, complete with the five posthumous variations) is also a rich, glowing, intensely personal musical work. The highly difficult and devilishly virtuosic Toccata in C, Opus 7, on this disc was taken from a live performance. These three great piano
Bach: The Legacy, Vol. 1
mpn: 42030, ean: 0013431203025,
4.1 out of 5 stars with 64 reviews
Bach: The Legacy, Vol. 1Concord Concerto.
Schumann: Fantasy / Etudes Symphoniques / Piano Sonata No 2
mpn: CDA67166, ean: 0034571171661,
4.9 out of 5 stars with 26 reviews
Early in the Fantasy, which begins the disc, we realize that this is not going to be the kind of great performance we might have expected from Marc-André Hamelin. Although he plays the difficult piano writing with panache, there are places in the first movement where the left hand echoes the right hand's leading phrases and we simply don't hear them. He dashes through the treacherous march with splendid virtuosity and plays the long slow finale with beautiful tone and phrasing, but the music
Chopin: Sonata No. 2, Op. 35 / Etudes Op. 25 / Preludes Op. 28
4.0 out of 5 stars with 97 reviews
The fourth of 10 volumes in Opus 111's Journey Around Chopin series ushers in the Polish master's Parisian salad days with a proverbial bang. Gregori Sokolov pounces upon the Op. 25 études, Funeral March Sonata, and Op. 28 préludes, illuminating their harmonic nooks and contrapuntal crannies like a scientist who can't wait to unveil the latest discovery. He milks the still-jarring left-hand dissonances in the A-minor prélude for all their worth, hot-foots his way through the tumultuous
Complete Piano Music 3: Piano Sonata, Fantaisie et toccata, Etudes and Polkas
4.3 out of 5 stars with 32 reviews
This third release in the Naxos complete Martinu solo piano music series represents the most mature style of his work. It begins with Martinu' two masterworks for the genre: the Fantaisie et toccata, written as he made his escape from Paris in 1940, and t.
Stravinsky, Prokofiev, Scriabin, Rachmaninov, Chopin, Bach, Brahms: Alexis Weissenberg - Classic Archive
You Save: 20%
4.8 out of 5 stars with 60 reviews
Alexis Weissenberg - Classic Archive Weissenberg was at the beginning of his substantial international career in these films, mostly made by French television in the 1960s. The one exception is a 1965 version of Stravinsky’s Three Movements from Petrouchka renowned in its time for attempting to mirror the music’s rhythms and moods. Directed by Åke Falck and filmed in a Stockholm studio, the camera is a creative partner with composer and pianist. So all kinds of odd angles are employed. If
Earl Wild: Chopin, The Complete Etudes
4.0 out of 5 stars with 105 reviews
At 77, Earl Wild realized his long-held ambition to record all the Chopin etudes, which have been in his repertoire for years. Given the legendary pianist's flamboyant reputation, however, the results are more mild than wild. His legendary technique, to be sure, is more than up to the task, but the inhibiting aura of posterity and permanence hover over the proceedings, not to mention the Urtext police. One misses the fire, abandon, and sense of risk Wild unfailingly brings to these works in